1. raw fresh fish on sale. 10 m.
    some things never change.

    1. camera: Mamiya 6MF | film: Fuji Velvia 100 | x-pro
    2. camera: Mamiya 6MF | film: Lomography Redscale XR 50-200

     
  2. curfew. from 20.00 to 6.00.

    camera: Canon AF35ML | film: Agfa Precisa CT100 | x-pro

     
  3. memories, memories.
    sometimes it’s good to find an old film.
    July 2012, on our way to Berlin. 

    camera: Lomo LC-A | film: Lomography Nightbird 800 scanned as b&w

     
  4. my number.

    camera: Lomo LC-A | film: Fuji Sensia 200 exp. 1998.06 | x-pro

     
  5. spectators. they are always there. watching me as I’m passing by. every day. looking the same way.

    1 | camera: Mamiya C330 | film: Kodak Ektachrome 400X exp. 1998.03 | x-pro
    2 | camera: Cosina CX-2 | film: Ilford Delta 3200 
    3 | camera: Mamiya C330 | film: Ilford XP2 400
    4 | camera: Mamiya C330 | film: Ilford XP2 400
    5 | camera: Lomo LC-A | film: Fuji Superia 400 exp. 2009.11 | redscale

     
  6. sometimes you have to bend a little.
    with greetings for Albert. because he asked for something sharp from Mamiya.

    model: Li | camera: Mamiya 6MF | film: Fuji Provia 100F exp. 2001.06 | cross process

     
  7. they were only afraid of flares. red flares.
    seaside | camera: Mamiya 6MF | film: Lomography Redscale XR 50-200

     
  8. garbage. literally.
    backyard | camera: Lomo LC-A | film: Ilford Delta 3200

     
  9. you have to start with something. sometimes a simple accident is enough.
    model: me | camera: Mamiya C330 | film: Kodak Vericolor VHC100 exp. 1996.08 | multiexposure